Get away this summer to write

March 6, 2017, by

At the Association of Writers and Writing Programs’ annual conference last month, I was amazed by how many summer intensives and workshops for writers were represented on the conference floor. I’ve been lucky to attend a couple in the past, and not only were they transformative to my writing, but each was a great experience overall. (And now that I’m a Houstonian, I realize a summer workshop might also offer a break from the heat…) Since late winter and early spring are when most application deadlines roll around, Inprint suggested I gather the postcards and flyers I collected and share what I found:

napawriters_headerimageNapa Valley Writer’s Conference in St. Helena, CA – July 23rd to July 28th

I have to start here because, full disclosure, I work for this one. I was a participant more than once before they took me on, and each time was not only great for my writing, but the highlight of my summer. You can apply until March 31st for a spot in fiction or poetry, and financial aid is available. Who doesn’t want to write in gorgeous California wine country? Learn more about the faculty, applications process, and deadlines here.

The Breadloaf Writer’s Conference in Ripton, VT

Middlebury College in Vermont has hosted the renowned Breadloaf Writer’s Workshop since 1926. Unfortunately, their application deadline was February 15th  (maybe next year!). Breadloaf now offers an Environmental Writing Workshop (in conjunction with the magazine Orion) and a Translator’s Conference that takes applications until March 1st. They also have a workshop in Sicily that offers rolling admissions til mid-April. You can learn about the individual conferences and their deadlines, faculties, and admissions processes here. Continue reading

UHCWP Student Spotlight: Luisa Muradyan Tannahill

February 22, 2017, by

DSC_7833-Edit

Luisa Muradyan Tannahill is a recipient of an Inprint Jesse H. and Mary Gibbs Jones Fellowship and an Inprint Donald Barthelme Prize in Poetry.

Earlier this month, the annual AWP conference took place in Washington, D.C. and the University of Houston had a strong presence as always. In addition to the individual students and alumni who participated on panels or at readings, the Gulf Coast team also represented the university and the Houston writing community that Inprint serves. This year Gulf Coast is celebrating 30 years as a student-run journal, which was commemorated by a panel of former editors who discussed the successes and challenges they experienced over the years.

On top of reaching this milestone, Gulf Coast has also seen the ushering in of all new leadership this year: Editor Luisa Muradyan Tannahill, Managing Editor Michele Nereim, and Digital Editor Georgia Pearle. Fellow UHCWP classmate Melanie Brkich recently talked with Luisa about the transition and what we can expect from this fierce team of females. Continue reading

All They Will Call You: A Little Something for Everyone

February 10, 2017, by

Hernandez picSometimes things just come together. I was recently thinking about how I could make the Houston area more aware of Tim Z. Hernandez’s engaging new book, All They Will Call You, as I recently interviewed him about it for Origins Journal, and low and behold I get an email the other day from the University of Houston’s Creative Writing Program (which I am a part of) about how he is coming to UH’s Graduate Library for a brief talk and that he’ll be reading as part of the Gulf Coast Reading Series this Friday, 17, 7 pm. The talk, unfortunately, is primarily for students, but the the Gulf Coast reading and his book is for everyone. And by “everyone” I mean exactly that, since the book touches on such a variety of ideas that anyone who enjoys serious literary work or even just a good story will find it worthwhile.

For the politically and socially driven, Tim’s book deals with some of the realities of immigration, both for the immigrants and host country. Sound familiar to any current events? The book centers on the worst plane crash in California’s history—a crash that claimed the lives of twenty-eight Mexican deportees and four Americans (and was the focus of Woody Guthrie poem turned song)—and explores why these men and women came into the states, what they had to go through because of the United State’s immigration policies, and how they shared much in common with those who were already citizens here. Lines are blurred, definitions are questioned, and identities are examined.   Continue reading

Six Tips On Writing From Annie Proulx’s Talk on Craft

February 6, 2017, by

RM3_4143Houston readers and writers alike crowded the Cullen Theater last month to see Annie Proulx read as part of the Inprint Margarett Root Brown Reading Series. She shared an excerpt from her latest book, the award-winning novel Barkskins and gave a brief interview after the reading.

Earlier that same day, as part of an Inprint Craft Talk/Q&A, Proulx generously offered students at the University of Houston a rare opportunity to hear her thoughts on literary craft. Though quick to point out she has never taught creative writing, she answered questions and shared advice culled from her own process. We’ve excerpted a few points from her talk to share with Inprint’s audience:

  • Get involved with words. “[…] the words of your background, the words of your place, the words of your parents.” Proulx emphasized the value of enlarging your vocabulary, especially with rare or unusual language that has fallen out of use: “[…] words that used to be so meaningful about how things were made and cared for.”

Continue reading

UHCWP Student Spotlight: Novuyo Rosa Tshuma

February 1, 2017, by

Novuyo TshumaIn her first year as a PhD student at the University of Houston Creative Writing Program (UH CWP), Novuyo Rosa Tshuma has already accomplished something extraordinary: international major press publication. Novuyo’s novel, The House of Stone, is forthcoming with W.W. Norton in the USA, and Atlantic Books in the United Kingdom. A recipient of the Inprint Fondren Foundation/Michael and Nina Zilkha Fellowship and an Inprint International Fellowship and a native of Zimbabwe, she has an MFA from the Iowa Writers Workshop. Her first collection, Shadows, was published to critical acclaim in 2013 by Kwela in South Africa, and awarded the 2014 Herman Charles Bosman Prize.

Houston writer and UH CWP faculty member Mat Johnson and fellow UH CWP classmate Melanie Brkich recently sat down with Novuyo.

MAT JOHNSON: This is your first year at UH–what made you interested in the program, and how has the transition been so far?

NOVUYO ROSA TSHUMA: I’m interested in strengthening my intellectual and creative writing interests, and the program has great faculty, an illustrious history and wonderful scholarship, and this was very attractive to me. Transitioning to a new place is always a mixture of excitement and disorientation, but I think it’s going well so far.

MAT: Your novel has just been bought by a USA and UK publisher, what is it about?

NOVUYO: The book has a microcosm of characters, I’m not sure I can summarize everything, but at the centre of the novel is our boisterous, wall-eyed narrator, Zamani, who, desperate to unshackle himself from an unsavory past and become a self-made man, rewrites and inserts himself into the history of a family he has become attached to, the Mlambos. And you know, he’s just obsessed with the past, he’s trying to reconstruct a self, he’s telling histories he has wangled out of others, and he’s an exposer of others’ ugly secrets, though he has secrets of his own he doesn’t want found out. Continue reading

Gulf Coast celebrates 30 years at Lawndale Art Center

January 21, 2017, by

GC 30th Anniversary - Smith readingThis week we talked to poet, Inprint blogger, and University of Houston Creative Program graduate student Erika Jo Brown about Gulf Coast: A Journal of Literature & Fine Arts’ 30th anniversary celebration coming up Saturday, January 21, 7 pm, Lawndale Art Center, 4912 Main Street. Since its inception, Inprint has been proud to support Gulf Coast, one of the nation’s reputed literary journals, which also holds readings and other activities. 

INPRINT: Congratulations on 30 years! For our readers that do not know a lot about Gulf Coast, please tell us about the journal, the organization, and all of the things you do.

ERIKA: Thank you! I’m pleased to work for Gulf Coast as a poetry editor and the reading series curator.  Gulf Coast was founded by Donald Barthelme and Phillip Lopate. We’re an arts and literary journal, run by very dedicated graduate students in the University of Houston Creative Writing Program (UH CWP). The print journal comes out each April and October. Recently, Gulf Coast merged with Art Lies. Unlike many lit journals, we’re committed to exploring visual art criticism, scholarship, and dialogues.  Continue reading

Poet Sharon Olds made it back to Houston this fall

December 15, 2016, by

up right IMG_7651As 2016 comes to close, Inprint marvels at all the wonderful literary events that took place over the fall months. In November, Brazos Bookstore hosted a reading by poet Sharon Olds.

Olds was scheduled to appear in the 2015/2016 Inprint Margarett Root Brown Reading Series with poet and University of Houston Creative Writing Program faculty member Tony Hoagland. Due to the Tax Day Flood in April, the reading had to be cancelled. A video was made that day during a break in the rain, featuring a reading and conversation between Olds and Hoagland, and Houston poet Martha Serpas in a private home. You can watch that reading here as part of the Inprint Archive of Readings. We were thrilled that Sharon Olds made it back to Houston this fall via Brazos Bookstore so her fans could  see her in real time. Here Inprint blogger Erika Jo Brown tells us about this memorable evening.

Appropriately, Sharon Olds’ reading at Christ Church Cathedral was preceded by the choir practice of tweens. Olds is revered—and occasionally controversial—for her delicate and unconventional poems about female sexual awakening and motherhood, among other topics.

On this night, she was introduced by Houston novelist Chris Cander, who extoled Olds’ “incomparable gifts of description” and lauded her latest collection, Odes, as a meditation on “what it feels like to occupy a mature woman’s body, mind and spirit.”

Continue reading

One-on-One with Visiting Writer Susan Briante

December 8, 2016, by

DSC_8740-EditLast month, Susan Briante visited Houston as featured guest of the Gulf Coast Reading Series. Her most recent book, The Market Wonders (Ahsahta Press), was a finalist for the National Poetry Series. She is also the author of the poetry collections Pioneers in the Study of Motion and Utopia Minus (an Academy of American Poets Notable Book of 2011). A translator, she lived in Mexico City from 1992-1997 and worked for the magazines Artes de México and Mandorla. Briante has received grants and awards from the Atlantic Monthly, the MacDowell Colony, the Academy of American Poets, the Dorothy Sargent Rosenberg Memorial Fundand the US-Mexico Fund for Culture. She is an associate professor of creative writing and literature at the University of Arizona. Read on for our exclusive interview following her visit.

  1. Your new collection of poems, The Market Wonders, personifies the economic structure we live by and philosophizes its existence. Can you talk a little bit about how the concept for the book was born and why you felt compelled to write it?

As the financial crisis began to take hold, the endless crisis from which many of us have never felt relief, I began to notice the dissonance between how that crisis was reported and how it was experienced. Stock market indices are described as if they were the most important measures of our national health. That’s not necessary. The way we prioritize the strength of our financial markets over everything else is dangerous to the values of this country.

Continue reading

Rabih Alameddine & Juan Gabriel Vásquez talk about fiction teaching empathy and guarding our memories

December 6, 2016, by

Rabih at podiumOn November 21st, the Alley Theatre was already decked for the holidays. A grove of themed trees in the lobby welcomed the Inprint Margaret Root Brown Reading Series for the final performance of the year. Inside, Rabih Alameddine and Juan Gabriel Vásquez read from their novels on the dormant set of A Christmas Carol, and artificial flurries escaped from their rigging throughout.

Though the theater looked towards Christmas, both Alameddine and Vásquez spoke towards the gratitude and displacement so many of us experience on the Thanksgiving weekend, whether or not we return home or reconnect with loved ones. Their words were melancholy and reflective. Alameddine’s The Angel of History spoke of loneliness and makeshift family; the narrator tells his lost love, “you left me roofless in a downpour.” Vásquez prefaced his reading by explaining the words he would read were not his own, and while he thanked his translator, compared the experience to reading someone else’s work. Continue reading

Poetry students experience the thrill of writing poems for the public

November 22, 2016, by

Upright IMG_7475One of Inprint’s most innovative and highly popular programs is the Inprint Poetry Buskers program. A collective of talented local writers and graduate students and alumni from the University of Houston Creative Writing Program, the Inprint Poetry Buskers write free poems on requested themes for attendees at festivals and special events throughout the city. The program demystifies poetry for the public and makes it more accessible, in a joyous and interactive way. Poet, Inprint blogger, and University of Houston Creative Writing Program graduate student Erika Jo Brown helped her undergraduate students appreciate the power of serving as an Inprint Poetry Busker.

A few weeks ago, intrepid students in my Introduction to Creative Writing Poetry class at the University of Houston felt the thrill and caliber of being an Inprint Poetry Busker at the Red Block Bash, coordinated by the Blaffer Student Association. They busily worked while emcees freestyled and drawing students sketched caricatures in the arts district courtyard.

These are their stories:

Continue reading