“Her Teachers Thought She Was a Dreamer”: Sandra Cisneros and the Backward Glance

October 22, 2015, by

RM3_6265Last Monday was hot for October—a strange day, full of distractions. The radio was full of news but it all seems old.  I self-medicate with baseball, flinch when my team doesn’t win.

I was going to hear Sandra Cisneros read from her new nonfiction, A House of My Own: Stories of My Life.  I think of her poems, the ones I taught in my multicultural literature class.  My favorite was “You Bring Out the Mexican in Me.”  I love that poem.  Everyone had to write an imitation of this poem, but it was “You Bring Out the Blank in Me.”  You had to fill in the blank to make it the right poem for you.  I did it too.  I think of her primarily as a fiction writer or a poet, but I think all those pieces are stories of her life, too.  Maybe names have been changed—not sure.

I drive early to Rice–I don’t want to be late.  When I pull in to park, the sky is pink, like the West, or Mexico, or somewhere else that you might have imagined when the real sky was too dark.

This reading is sold out.  I told my students: “Hey, I think this is going to sell out.”  They look at me like maybe I want them to do something.  I do.  Or I did.  Those tickets are gone. Continue reading

Writers, Opera, and Chitra Divakaruni’s River of Light

March 21, 2014, by

RIVER-art-newWhen we think of writers and the different mediums through which they share stories, we think of novels, memoirs, poems, perhaps even oral traditions. But do you ever think of opera?

Houston has a thriving literary community and one of the many ways writers are enhancing the cultural life of this city is through serving as librettists for the Houston Grand Opera.

The comingling of writers with the Opera has been going on for several years and Inprint is proud to be a part of it. In 2006, the Houston Grand Opera approached Inprint to identify a Houston writer who could develop and write a unique libretto for a main stage piece celebrating Houston’s diversity. The overall project was called “Song of Houston,” and the piece—for soloists, chorus, and orchestra—was called The Refuge. The writer was to spend months interviewing dozens of people in six different Houston immigrant communities, and then distill these stories into a libretto portraying the struggles to get to this country and adjust to life here in the United States. Inprint recommended Leah Lax, a UH Creative Writing Program (UH CWP) alumna, on the basis of her work teaching senior citizens for Inprint, and the piece was a great success, resulting in a major write-up in The New York Times.

Since then, Inprint has connected HGO with several Houston writers who have written libretti for original works commissioned by HGO, including Farnoosh Moshiri (The Bricklayer), Irene Keliher (A Way Home, a bilingual opera), Janine Joseph (From my Mother’s Mother), and Bao Long Chu (Bound)—all UH CWP alumni. Inprint also worked with the HGO staff to select Houston writers to teach writing workshops to senior citizens in the Third and Fifth Wards, which resulted in poems set to music by composers at UH and Rice—these teachers were also UH CWP graduate students. As a result of this partnership, Inprint Executive Director Rich Levy now serves on the HGO Community Outreach (HGOco) Committee, where he is helping the HGO staff to envision future collaborations with Houston area writers.

Now HGO is building on its success and continues to work with the city’s top writers.

As part of its Song of Houston: East + West series, HGOco is presenting River of Light with the libretto written by Houston writer Chitra Divakaruni. Amongst the literary community here, Chitra is a household name. Chitra, an American Book Award winner and faculty member at the UH Creative Writing Program, is the author of novels, short stories, and poems, including her latest novel Oleander Girl. Continue reading