UHCWP Student Spotlight: Selena Anderson

May 26, 2017, by

1517556_10105358955057980_8598560224807440091_nSelena Anderson is one of the University of Houston’s newly minted PhD’s in Fiction. She completed her MFA at Columbia University where she won the Transatlantic/Henfield Prize. She has held fellowships at the Breadloaf Writers’ Conference, the Carson McCullers Center, and the MacDowell Colony. Her work appears or is forthcoming in AGNI, Joyland, Georgia Review, Callaloo, Glimmer Train, Kenyon Review Online, NANO Fiction, and elsewhere.

Recent UHCWP grad Melanie Brkich interviewed Selena about her work, her new teaching job, and what she’ll miss most about Houston.

Melanie Brkich: Congrats on successfully defending your dissertation! How does it feel to be a doctor?

Selena Anderson: Thank you, Melanie! It’s cool! I’ve been working towards it for a long time and it’s always nice to accomplish something that you’ve worked so hard for.

MB: What is your dissertation about? Where did you draw the inspiration for it?

SA: My dissertation is a collection of stories about people who want to win and who make a bad situation worse by trying to do something about it. The stories are set in Texas—but in my imagined Texas of the recent past. There are ghosts, tiny men, a slave ship, dolls, dudes who talk in third person, forest fires, and plenty of girls brooding in their apartments. Continue reading

UHCWP Student Spotlight: Novuyo Rosa Tshuma

February 1, 2017, by

Novuyo TshumaIn her first year as a PhD student at the University of Houston Creative Writing Program (UH CWP), Novuyo Rosa Tshuma has already accomplished something extraordinary: international major press publication. Novuyo’s novel, The House of Stone, is forthcoming with W.W. Norton in the USA, and Atlantic Books in the United Kingdom. A recipient of the Inprint Fondren Foundation/Michael and Nina Zilkha Fellowship and an Inprint International Fellowship and a native of Zimbabwe, she has an MFA from the Iowa Writers Workshop. Her first collection, Shadows, was published to critical acclaim in 2013 by Kwela in South Africa, and awarded the 2014 Herman Charles Bosman Prize.

Houston writer and UH CWP faculty member Mat Johnson and fellow UH CWP classmate Melanie Brkich recently sat down with Novuyo.

MAT JOHNSON: This is your first year at UH–what made you interested in the program, and how has the transition been so far?

NOVUYO ROSA TSHUMA: I’m interested in strengthening my intellectual and creative writing interests, and the program has great faculty, an illustrious history and wonderful scholarship, and this was very attractive to me. Transitioning to a new place is always a mixture of excitement and disorientation, but I think it’s going well so far.

MAT: Your novel has just been bought by a USA and UK publisher, what is it about?

NOVUYO: The book has a microcosm of characters, I’m not sure I can summarize everything, but at the centre of the novel is our boisterous, wall-eyed narrator, Zamani, who, desperate to unshackle himself from an unsavory past and become a self-made man, rewrites and inserts himself into the history of a family he has become attached to, the Mlambos. And you know, he’s just obsessed with the past, he’s trying to reconstruct a self, he’s telling histories he has wangled out of others, and he’s an exposer of others’ ugly secrets, though he has secrets of his own he doesn’t want found out. Continue reading

Spotlight on Alexandra Naumann–UH Creative Writing Program Student

November 9, 2016, by

DSC_8596-EditInprint Edgar M. Larsen Fellowship recipient Alexandra Naumann is a fiction writer of Lebanese-Mexican descent. She’s in year two of the MFA program at University of Houston Creative Writing Program (UH CWP), where she’s a nonfiction editor for Gulf Coast: A Journal of Literature and Fine Arts. She’ll be reading for the Gulf Coast Reading Series this Friday at Rudyard’s at 7 pm, along with featured poet Susan Briante and fellow UHCWP writers Sam Dinger and Nathan Stabenfeldt. We thought we’d ask her about who and what inspires her writing, the experience of sharing her work aloud, and returning to her hometown of Houston.

MELANIE BRKICH: You read for the Poison Pen Reading Series last week and now Gulf Coast coming up this week. How has that experience been, doing two readings almost back to back?

ALEX NAUMANN: Fun. A gift! I feel so grateful to be a part of a community where folks listen and share work, but I also feel nervous. Reading work aloud is like singing in someone’s ear. It’s intimate.

Reading work aloud is like singing in someone’s ear. It’s intimate.

MB: How do you prepare for readings?

AN: Step One: Panic. Step Two: Find pages that feel fraught or stunning or that contain the most tender, love-worn, raw/bleeding spots (narrative wounds!). It seems helpful, too, for reading fiction to find some narrative parcel that can be lifted from its larger context and still retain meaning, if that makes sense?

MB: Absolutely. What sort of projects are you currently working on? Are there certain themes/subjects that show up often in your work?

Continue reading