The 2021 Inprint Poets & Writers Ball celebrates Houston’s literary spirit with George Saunders and others

February 25, 2021, by

Although writing and reading are solitary and quiet acts, the 2021 Inprint Poets & Writers Ball—Inprint’s annual fundraising gala which went virtual this year—was a festive, engaging, collective, and inclusive experience, especially for those passionate about sustaining Houston’s literary arts scene. More than $280,000 was raised, surpassing the fundraising goal by close to 20%, thanks to the generosity of 250 donors who tuned in from all over the country on Saturday, February 6.

Raising funds to support Inprint programs, while delivering a memorable and high-quality evening that celebrates the power of creative writing and reading, has always been at the heart of the unique annual black-tie event and what has made the Inprint Ball a favorite gala for many patrons. Although the Inprint Ball looked a little different this year, gala supporters and their guests were able to enjoy the festivities from home.

The presentation portion of the evening began at 7:30 pm CST featuring welcome remarks by Inprint Board President Marcia West, followed by a video tribute in memory of recently departed Inprint founders Glenn Cambor and Karl Kilian. This was followed by what is often a beloved part of the evening for many attendees—a series of short readings by Inprint fellowship and prize recipients, all of whom are MFA and PhD students and alumni from the University of Houston. Five Inprint fellows, including Raquel Abend van Dalen, Lauren Berry, Matthew Salesses, Novuyo Rosa Tshuma, and Sasha West, each read excerpts from their new work and spoke about how Inprint’s support has impacted their writing life. Continue reading

Celebrating Books by Houston women: A Summer Reading List

June 8, 2018, by

As we think about good books to read during the dog days of summer, we invite you to add the following books to your list. Released during the 2017-2018 season, these books of literary fiction, poetry, and personal essays are by Houston women. We applaud them and the many other female authors who continue to enhance and expand our literary landscape. Happy reading!

Katherine Center, How to Walk Away: A Novel

Jane Chance, Tolkien, Self and Other: “This Queer Creature”

Leslie Contreras Schwartz, Nightbloom & Cenote

Patricia Hunt Holmes, Searching for Pilar

Sean Johnson, All My Heroes Were Assassinated: Poems for Our Beautifully Tragic Experiences

Caroline Leech, Wait for Me and In Another Time (coming out in August)

Jennifer Mathieu, Moxie: A Novel Continue reading

UHCWP Student Spotlight: Novuyo Rosa Tshuma

February 1, 2017, by

Novuyo TshumaIn her first year as a PhD student at the University of Houston Creative Writing Program (UH CWP), Novuyo Rosa Tshuma has already accomplished something extraordinary: international major press publication. Novuyo’s novel, The House of Stone, is forthcoming with W.W. Norton in the USA, and Atlantic Books in the United Kingdom. A recipient of the Inprint Fondren Foundation/Michael and Nina Zilkha Fellowship and an Inprint International Fellowship and a native of Zimbabwe, she has an MFA from the Iowa Writers Workshop. Her first collection, Shadows, was published to critical acclaim in 2013 by Kwela in South Africa, and awarded the 2014 Herman Charles Bosman Prize.

Houston writer and UH CWP faculty member Mat Johnson and fellow UH CWP classmate Melanie Brkich recently sat down with Novuyo.

MAT JOHNSON: This is your first year at UH–what made you interested in the program, and how has the transition been so far?

NOVUYO ROSA TSHUMA: I’m interested in strengthening my intellectual and creative writing interests, and the program has great faculty, an illustrious history and wonderful scholarship, and this was very attractive to me. Transitioning to a new place is always a mixture of excitement and disorientation, but I think it’s going well so far.

MAT: Your novel has just been bought by a USA and UK publisher, what is it about?

NOVUYO: The book has a microcosm of characters, I’m not sure I can summarize everything, but at the centre of the novel is our boisterous, wall-eyed narrator, Zamani, who, desperate to unshackle himself from an unsavory past and become a self-made man, rewrites and inserts himself into the history of a family he has become attached to, the Mlambos. And you know, he’s just obsessed with the past, he’s trying to reconstruct a self, he’s telling histories he has wangled out of others, and he’s an exposer of others’ ugly secrets, though he has secrets of his own he doesn’t want found out. Continue reading