“Overwhelming Oddity” by Phyllis Robinson: Inprint Workshop Participants on Harvey

September 12, 2017, by

260px-Harvey_2017-08-25_2231ZYesterday, An Open Book posted the first in a series of micro essays by participants in Inprint’s nonfiction workshop led by poet Cait Weiss Orcutt. She says, “Each piece serves as a proof of our city’s resilience—you can give us rain, wind, uncertainty and days of isolation, but as soon as we can find a pen, we will turn that into art.” For her full introduction and the first essay in this series, click this link.

“Overwhelming Oddity” by Phyllis Robinson

“The Teacher Jesus said, ‘The man who hears what I teach but does not do it is like a man who builds his house on dirt. The dirt is soft, and when the rain comes and the wind blows, the house falls down and all his work is lost.’” –Kate McCord

Sometimes, rain offers lovely, vibrantly fresh surprises like the blooming of grandma’s Oxblood Lilies handed down to me by my mother. They grew outside my grandmother’s favorite sitting spot where she could always enjoy the bounty nature offered. The crimson hue closely resembled the red cardinals that fascinated her as she gazed outside from her perch through the bubble-flicked glass panes of the white frame house my great-grandparents had once called home. The cardinals visited frequently pecking at will and flocking to cover the spread beneath the billowy boughs of ripened fruit-filled cascades overwhelming the branches of her favorite pear tree. Continue reading

“Getting Undammed” by Paige Hassall: Inprint workshop participants write micro essays after the storm

September 10, 2017, by

260px-Harvey_2017-08-25_2231ZCait Weiss Orcutt teaches Inprint’s Personal Essay Workshop which started on the afternoon of Wednesday, September 6. Her work has been published or is forthcoming in Boston Review, Chautauqua, FIELD, Tupelo Quarterly & more. She is founder of the Writers Guild Community Creative Writing Workshops in Columbus, Ohio, Editorial Advisory Board Member of Mad River’s Slash Prize, and Online Editor of The Journal. A recipient of an Inprint C. Glenn Cambor/MD Anderson Foundation Fellowship, she is a graduate student at the University of Houston Creative Writing Program. Here Cait talks about the first workshop gathering.

Cait Weiss Orcutt: This past week, our Personal Essay workshop met for the first time. I had come to class planning to talk craft—what is Creative Non Fiction, for instance, and what (or who) makes “fact” fact? Instead, it quickly became apparent that, while the sky outside was clear and blue, the class was still caught in the storm.

And why shouldn’t they have been? Why should we force ourselves to pretend we’re okay? If writing is about honesty, why lie about what is really weighing down our thoughts, troubling our dreams and hurting our hearts. An enormous, historic disruption occurred—and for many, if not all of us here in Houston and beyond, the recovery effort contains its own disruption, grief and trauma. How can we write anything “personal” without sharing what we’re going through? Continue reading