UHCWP Student Spotlight: Cait Weiss

March 27, 2017, by

image2A first-year in the University of Houston Creative Writing PhD Program for poetry, Cait Weiss is a recipient of an Inprint C. Glenn Cambor/MD Anderson Foundation Fellowship, is an Inprint Writers Workshop instructor and an Inprint Poetry Busker. Cait recently won the Zone 3 Press First Book Award for her poetry collection Valleyspeak, judged by Douglas Kearney. It will be published by Zone 3 in spring 2018.

Fellow UHCWP student Melanie Brkich recently sat down with Cait to talk more about her book, the past lives that informed it, and how her first year in the program is going so far.

Melanie Brkich: How are you liking your first year here?

Cait Weiss: I like it a lot. I made a mistake of over-scheduling myself this semester, not in terms of course work but in terms of WITS. That kind of thing has always been really important to me even before I got my MFA, when I was in New York I worked with New York Writers Coalition. And when I got to OSU I developed my own program there because we didn’t have anything like this. So we had the MFAs go into local high schools. For some reason I’m always making friends with high school English teachers, like we get along really well and are around the same age and stuff. And so when I got here I was all about it, but I was a little too much about it.

What’s wonderful is you can find ways to financially support yourself. But the trick is to remember I moved here for UH’s program. I didn’t move here for any of this other stuff. The PhD isn’t my side job. Continue reading

UHCWP Student Spotlight: Luisa Muradyan Tannahill

February 22, 2017, by

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Luisa Muradyan Tannahill is a recipient of an Inprint Jesse H. and Mary Gibbs Jones Fellowship and an Inprint Donald Barthelme Prize in Poetry.

Earlier this month, the annual AWP conference took place in Washington, D.C. and the University of Houston had a strong presence as always. In addition to the individual students and alumni who participated on panels or at readings, the Gulf Coast team also represented the university and the Houston writing community that Inprint serves. This year Gulf Coast is celebrating 30 years as a student-run journal, which was commemorated by a panel of former editors who discussed the successes and challenges they experienced over the years.

On top of reaching this milestone, Gulf Coast has also seen the ushering in of all new leadership this year: Editor Luisa Muradyan Tannahill, Managing Editor Michele Nereim, and Digital Editor Georgia Pearle. Fellow UHCWP classmate Melanie Brkich recently talked with Luisa about the transition and what we can expect from this fierce team of females. Continue reading

UHCWP Student Spotlight: Novuyo Rosa Tshuma

February 1, 2017, by

Novuyo TshumaIn her first year as a PhD student at the University of Houston Creative Writing Program (UH CWP), Novuyo Rosa Tshuma has already accomplished something extraordinary: international major press publication. Novuyo’s novel, The House of Stone, is forthcoming with W.W. Norton in the USA, and Atlantic Books in the United Kingdom. A recipient of the Inprint Fondren Foundation/Michael and Nina Zilkha Fellowship and an Inprint International Fellowship and a native of Zimbabwe, she has an MFA from the Iowa Writers Workshop. Her first collection, Shadows, was published to critical acclaim in 2013 by Kwela in South Africa, and awarded the 2014 Herman Charles Bosman Prize.

Houston writer and UH CWP faculty member Mat Johnson and fellow UH CWP classmate Melanie Brkich recently sat down with Novuyo.

MAT JOHNSON: This is your first year at UH–what made you interested in the program, and how has the transition been so far?

NOVUYO ROSA TSHUMA: I’m interested in strengthening my intellectual and creative writing interests, and the program has great faculty, an illustrious history and wonderful scholarship, and this was very attractive to me. Transitioning to a new place is always a mixture of excitement and disorientation, but I think it’s going well so far.

MAT: Your novel has just been bought by a USA and UK publisher, what is it about?

NOVUYO: The book has a microcosm of characters, I’m not sure I can summarize everything, but at the centre of the novel is our boisterous, wall-eyed narrator, Zamani, who, desperate to unshackle himself from an unsavory past and become a self-made man, rewrites and inserts himself into the history of a family he has become attached to, the Mlambos. And you know, he’s just obsessed with the past, he’s trying to reconstruct a self, he’s telling histories he has wangled out of others, and he’s an exposer of others’ ugly secrets, though he has secrets of his own he doesn’t want found out. Continue reading

One-on-One with Visiting Writer Susan Briante

December 8, 2016, by

DSC_8740-EditLast month, Susan Briante visited Houston as featured guest of the Gulf Coast Reading Series. Her most recent book, The Market Wonders (Ahsahta Press), was a finalist for the National Poetry Series. She is also the author of the poetry collections Pioneers in the Study of Motion and Utopia Minus (an Academy of American Poets Notable Book of 2011). A translator, she lived in Mexico City from 1992-1997 and worked for the magazines Artes de México and Mandorla. Briante has received grants and awards from the Atlantic Monthly, the MacDowell Colony, the Academy of American Poets, the Dorothy Sargent Rosenberg Memorial Fundand the US-Mexico Fund for Culture. She is an associate professor of creative writing and literature at the University of Arizona. Read on for our exclusive interview following her visit.

  1. Your new collection of poems, The Market Wonders, personifies the economic structure we live by and philosophizes its existence. Can you talk a little bit about how the concept for the book was born and why you felt compelled to write it?

As the financial crisis began to take hold, the endless crisis from which many of us have never felt relief, I began to notice the dissonance between how that crisis was reported and how it was experienced. Stock market indices are described as if they were the most important measures of our national health. That’s not necessary. The way we prioritize the strength of our financial markets over everything else is dangerous to the values of this country.

Continue reading